I’ve been a huge fan of Jamie Foxx for over 20 years – as a stand up comedian, as an actor and as a musician. What he has been able to accomplish is rather remarkable. Getting a chance to meet him was insane. To have the opportunity to create something for him – even more insane…
He really loved it.
He was digging on the box and when he saw the cuff he was absolutely stoked on it! He put it on immediately and wore it the rest of the night…
Pretty rad.
I couldn’t do this without Nate and Greg over at Spexton – with every project they go above and beyond. Thank you for all your hard work.

While custom control panels and plugins are great, one of the strongest points of SideWinder is it’s meticulous attention to details in the area of typography. Every major type element has been addressed; You can even change both the Title Fonts and Body Fonts with the flip of a switch in the dashboard; Heck, you can even disable the title-font-replacement if you feeling like straight forward web-fonts instead of the flashy new stuff.

Superquotes

Optimizing typography is optimizing readability, accessibility, usability(!), overall graphic balance. Organizing blocks of text and combining them with pictures, isn’t that what graphic designers, usability specialists, information architects do? So why is it such a neglected topic?

Back in 1969, Emil Ruder, a famous Swiss typographer, wrote on behalf of his contemporary print materials what we could easily say about our contemporary websites:

Standard Blockquotes

Today we are inundated with such an immense flood of printed matter that the value of the individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer’s task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.

With some imagination (replace print with online) this sounds like the job description of an information designer. It is the information designer’s task “to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him”.

Macro-typography (overall text-structure) in contrast to micro typography (detailed aspects of type and spacing) covers many aspects of what we nowadays call “information design”. So to speak, information designers nowadays do the job that typographers did 30 years ago:

While custom control panels and plugins are great, one of the strongest points of SideWinder is it’s meticulous attention to details in the area of typography. Every major type element has been addressed; You can even change both the Title Fonts and Body Fonts with the flip of a switch in the dashboard; Heck, you can even disable the title-font-replacement if you feeling like straight forward web-fonts instead of the flashy new stuff.

Superquotes

Optimizing typography is optimizing readability, accessibility, usability(!), overall graphic balance. Organizing blocks of text and combining them with pictures, isn’t that what graphic designers, usability specialists, information architects do? So why is it such a neglected topic?

Back in 1969, Emil Ruder, a famous Swiss typographer, wrote on behalf of his contemporary print materials what we could easily say about our contemporary websites:

Standard Blockquotes

Today we are inundated with such an immense flood of printed matter that the value of the individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer’s task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.

With some imagination (replace print with online) this sounds like the job description of an information designer. It is the information designer’s task “to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him”.

Macro-typography (overall text-structure) in contrast to micro typography (detailed aspects of type and spacing) covers many aspects of what we nowadays call “information design”. So to speak, information designers nowadays do the job that typographers did 30 years ago:

This is a Subheadline

Aenean tincidunt pharetra leo. Curabitur euismod sollicitudin elit. Donec faucibus lacus nec sapien. Aliquam ipsum nisi, scelerisque et, commodo nec, consectetur vel, tellus. Cras ipsum diam, hendrerit id, accumsan sit amet, fermentum vel, dui.

• Sed congue, dui vel tristique mollis, libero elit convallis eros, vitae interdum libero dolor eget leo.
• Morbi eget sem. Nam mollis. Donec sed velit ut tellus fermentum interdum.
• Etiam a odio in neque egestas consequat. Pellentesque posuere, orci id interdum.
• Suspendisse id magna in libero porta faucibus. Vivamus sollicitudin.

While custom control panels and plugins are great, one of the strongest points of SideWinder is it’s meticulous attention to details in the area of typography. Every major type element has been addressed; You can even change both the Title Fonts and Body Fonts with the flip of a switch in the dashboard; Heck, you can even disable the title-font-replacement if you feeling like straight forward web-fonts instead of the flashy new stuff.

Superquotes

Optimizing typography is optimizing readability, accessibility, usability(!), overall graphic balance. Organizing blocks of text and combining them with pictures, isn’t that what graphic designers, usability specialists, information architects do? So why is it such a neglected topic?

Back in 1969, Emil Ruder, a famous Swiss typographer, wrote on behalf of his contemporary print materials what we could easily say about our contemporary websites:

Standard Blockquotes

Today we are inundated with such an immense flood of printed matter that the value of the individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer’s task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.

With some imagination (replace print with online) this sounds like the job description of an information designer. It is the information designer’s task “to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him”.

Macro-typography (overall text-structure) in contrast to micro typography (detailed aspects of type and spacing) covers many aspects of what we nowadays call “information design”. So to speak, information designers nowadays do the job that typographers did 30 years ago:

This is a Subheadline

Aenean tincidunt pharetra leo. Curabitur euismod sollicitudin elit. Donec faucibus lacus nec sapien. Aliquam ipsum nisi, scelerisque et, commodo nec, consectetur vel, tellus. Cras ipsum diam, hendrerit id, accumsan sit amet, fermentum vel, dui.

• Sed congue, dui vel tristique mollis, libero elit convallis eros, vitae interdum libero dolor eget leo.
• Morbi eget sem. Nam mollis. Donec sed velit ut tellus fermentum interdum.
• Etiam a odio in neque egestas consequat. Pellentesque posuere, orci id interdum.
• Suspendisse id magna in libero porta faucibus. Vivamus sollicitudin.

While custom control panels and plugins are great, one of the strongest points of SideWinder is it’s meticulous attention to details in the area of typography. Every major type element has been addressed; You can even change both the Title Fonts and Body Fonts with the flip of a switch in the dashboard; Heck, you can even disable the title-font-replacement if you feeling like straight forward web-fonts instead of the flashy new stuff.

Superquotes

Optimizing typography is optimizing readability, accessibility, usability(!), overall graphic balance. Organizing blocks of text and combining them with pictures, isn’t that what graphic designers, usability specialists, information architects do? So why is it such a neglected topic?

Back in 1969, Emil Ruder, a famous Swiss typographer, wrote on behalf of his contemporary print materials what we could easily say about our contemporary websites:

Standard Blockquotes

Today we are inundated with such an immense flood of printed matter that the value of the individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer’s task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.

With some imagination (replace print with online) this sounds like the job description of an information designer. It is the information designer’s task “to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him”.

Macro-typography (overall text-structure) in contrast to micro typography (detailed aspects of type and spacing) covers many aspects of what we nowadays call “information design”. So to speak, information designers nowadays do the job that typographers did 30 years ago:

While custom control panels and plugins are great, one of the strongest points of SideWinder is it’s meticulous attention to details in the area of typography. Every major type element has been addressed; You can even change both the Title Fonts and Body Fonts with the flip of a switch in the dashboard; Heck, you can even disable the title-font-replacement if you feeling like straight forward web-fonts instead of the flashy new stuff.

Superquotes

Optimizing typography is optimizing readability, accessibility, usability(!), overall graphic balance. Organizing blocks of text and combining them with pictures, isn’t that what graphic designers, usability specialists, information architects do? So why is it such a neglected topic?

Back in 1969, Emil Ruder, a famous Swiss typographer, wrote on behalf of his contemporary print materials what we could easily say about our contemporary websites:

Standard Blockquotes

Today we are inundated with such an immense flood of printed matter that the value of the individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer’s task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.

With some imagination (replace print with online) this sounds like the job description of an information designer. It is the information designer’s task “to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him”.

Macro-typography (overall text-structure) in contrast to micro typography (detailed aspects of type and spacing) covers many aspects of what we nowadays call “information design”. So to speak, information designers nowadays do the job that typographers did 30 years ago:

While custom control panels and plugins are great, one of the strongest points of SideWinder is it’s meticulous attention to details in the area of typography. Every major type element has been addressed; You can even change both the Title Fonts and Body Fonts with the flip of a switch in the dashboard; Heck, you can even disable the title-font-replacement if you feeling like straight forward web-fonts instead of the flashy new stuff.

Superquotes

Optimizing typography is optimizing readability, accessibility, usability(!), overall graphic balance. Organizing blocks of text and combining them with pictures, isn’t that what graphic designers, usability specialists, information architects do? So why is it such a neglected topic?

Back in 1969, Emil Ruder, a famous Swiss typographer, wrote on behalf of his contemporary print materials what we could easily say about our contemporary websites:

Standard Blockquotes

Today we are inundated with such an immense flood of printed matter that the value of the individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer’s task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.

With some imagination (replace print with online) this sounds like the job description of an information designer. It is the information designer’s task “to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him”.

Macro-typography (overall text-structure) in contrast to micro typography (detailed aspects of type and spacing) covers many aspects of what we nowadays call “information design”. So to speak, information designers nowadays do the job that typographers did 30 years ago:

While custom control panels and plugins are great, one of the strongest points of SideWinder is it’s meticulous attention to details in the area of typography. Every major type element has been addressed; You can even change both the Title Fonts and Body Fonts with the flip of a switch in the dashboard; Heck, you can even disable the title-font-replacement if you feeling like straight forward web-fonts instead of the flashy new stuff.

Superquotes

Optimizing typography is optimizing readability, accessibility, usability(!), overall graphic balance. Organizing blocks of text and combining them with pictures, isn’t that what graphic designers, usability specialists, information architects do? So why is it such a neglected topic?

Back in 1969, Emil Ruder, a famous Swiss typographer, wrote on behalf of his contemporary print materials what we could easily say about our contemporary websites:

Standard Blockquotes

Today we are inundated with such an immense flood of printed matter that the value of the individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer’s task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.

With some imagination (replace print with online) this sounds like the job description of an information designer. It is the information designer’s task “to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him”.

Macro-typography (overall text-structure) in contrast to micro typography (detailed aspects of type and spacing) covers many aspects of what we nowadays call “information design”. So to speak, information designers nowadays do the job that typographers did 30 years ago:

While custom control panels and plugins are great, one of the strongest points of SideWinder is it’s meticulous attention to details in the area of typography. Every major type element has been addressed; You can even change both the Title Fonts and Body Fonts with the flip of a switch in the dashboard; Heck, you can even disable the title-font-replacement if you feeling like straight forward web-fonts instead of the flashy new stuff.

Superquotes

Optimizing typography is optimizing readability, accessibility, usability(!), overall graphic balance. Organizing blocks of text and combining them with pictures, isn’t that what graphic designers, usability specialists, information architects do? So why is it such a neglected topic?

Back in 1969, Emil Ruder, a famous Swiss typographer, wrote on behalf of his contemporary print materials what we could easily say about our contemporary websites:

Standard Blockquotes

Today we are inundated with such an immense flood of printed matter that the value of the individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer’s task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.

With some imagination (replace print with online) this sounds like the job description of an information designer. It is the information designer’s task “to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him”.

Macro-typography (overall text-structure) in contrast to micro typography (detailed aspects of type and spacing) covers many aspects of what we nowadays call “information design”. So to speak, information designers nowadays do the job that typographers did 30 years ago:

While custom control panels and plugins are great, one of the strongest points of SideWinder is it’s meticulous attention to details in the area of typography. Every major type element has been addressed; You can even change both the Title Fonts and Body Fonts with the flip of a switch in the dashboard; Heck, you can even disable the title-font-replacement if you feeling like straight forward web-fonts instead of the flashy new stuff.

Superquotes

Optimizing typography is optimizing readability, accessibility, usability(!), overall graphic balance. Organizing blocks of text and combining them with pictures, isn’t that what graphic designers, usability specialists, information architects do? So why is it such a neglected topic?

Back in 1969, Emil Ruder, a famous Swiss typographer, wrote on behalf of his contemporary print materials what we could easily say about our contemporary websites:

Standard Blockquotes

Today we are inundated with such an immense flood of printed matter that the value of the individual work has depreciated, for our harassed contemporaries simply cannot take everything that is printed today. It is the typographer’s task to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him.

With some imagination (replace print with online) this sounds like the job description of an information designer. It is the information designer’s task “to divide up and organize and interpret this mass of printed matter in such a way that the reader will have a good chance of finding what is of interest to him”.

Macro-typography (overall text-structure) in contrast to micro typography (detailed aspects of type and spacing) covers many aspects of what we nowadays call “information design”. So to speak, information designers nowadays do the job that typographers did 30 years ago: